Lifestream
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[PhD] To open publish or not to open publish? That's my current question.
Monday February 23, 2009 @ 11:14 PM (UTC)This post was first published on socialsim
I’m not sure how I feel about open publishing. I’ve been wrestling with this idea since a conversation several years ago with a friend who is very open about his content (to the extent that he feels comfortable releasing Creative Commons versions of his published works). He asked if I would release my PhD online once it was done. I might, I said. Maybe.
I’ve come to realise that I’m not totally comfortable with the idea. I haven’t published any of my findings, nor have I distributed any of my chapter drafts as they’ve been pulled, kicking and screaming, out of my fingertips. I’ve thought about it, and then the traditionalist in me worries that the content I have generated through 4 years of long, hard slog would be stolen – yes, stolen – and I wouldn’t be able to leverage it to my advantage.
This topic has unsurprisingly come under scientific scrutiny. I’m not the only one thinking about this, after all. Scientific American published (in print and in their Edit This series) an article called Science 2.0, in which they debated whether the (admittedly rare) practice of releasing raw experimental results ushered in a new era of science or opened researchers to potential exploitation. They lay out the arguments:
I desperately want the latter, but fear the former. And so I have yet to do anything.Of course, many scientists remain wary of such openness—especially in the hypercompetitive biomedical fields, where patents, promotion and tenure can hinge on being the first to publish a new discovery. For these practitioners, Science 2.0 seems dangerous: putting your serious work out on blogs and social networks feels like an open invitation to have your lab notebooks vandalized—or, worse, your best ideas stolen and published by a rival.
To advocates, however, an atmosphere of openness makes science more productive. “When you do your work online, out in the open,” Hooker says, “you quickly find that you’re not competing with other scientists anymore but cooperating with them.”
There is yet another argument against open sourcing academic content, one which was recently described by the Science Blog: by releasing it for free, the value of the knowledge is reduced because anyone can access it. It is perceived as being less worthy than something that is exclusive. It is no longer rare:On average, when a given publication was made available online after being in print for a year, being published in an open source format increased the use of that article by about 8 percent. When articles are made available online in a commercial format a year after publication, however, usage increases by about 12 percent.
“Across the scientific community,” [James A.] Evans [from University of Chicago] said in an interview, “it turns out that open access does have a positive impact on the attention that’s given to the journal articles, but it’s a small impact.”
That’s why weird artefacts from World of Warcraft cost so much more in real money transfer amongst players in the black digital market than the stuff anyone can have.
And so I am still torn. I would like to release my content for feedback. In the past few months, I have developed the confidence for public scrutiny of my work. But I worry that it will be remixed, mashed up and published elsewhere (as happened to my Aunt when she was in the writing up phase of her doctorate), thus a) undermining my hard work and b) giving someone else credit.
I’m very curious – how have others resolved this for themselves?
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[Countryphile] How could I forget about Ween?
Wednesday July 09, 2008 @ 11:35 PM (UTC)This post was originally published on countryphile
I just landed on Ween’s Last.fm radio and the first song that came on was ‘When I’m Holdin’ You’ from 12 Golden Country Greats, their stupendous country music album. You must, you really must.
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[Countryphile] My awkward relationship with Johnny Cash
Tuesday March 04, 2008 @ 11:34 PM (UTC)This post was originally published on countryphile
This week’s Redneck Music programme has a whole set on Johnny Cash. It’s making me uncomfortable. I’m experiencing what we psychologists call cognitive dissonance.
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[Countryphile] Redneck Music
Wednesday February 27, 2008 @ 11:27 PM (UTC)This post was originally published on countryphile
…is, like Hillbilly and Americana, rapidly becoming my favourite type of Country. Thank goodness then for Mark Lamarr, who’s Radio 2 special series ‘Redneck Music’ is providing me with a phenomenal history of the genre, from the Carter Family to the yodeling hobos of the 1920s and 1930s.
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[Countryphile] My Country Jukebox & a new genre
Wednesday February 06, 2008 @ 11:25 PM (UTC)This post was originally published on countryphile
I’m hooked on My Country Jukebox, a Desert Island Discs for the country music biz. Unfortunately, there were only four broadcast. I’m currently listening to the Emmylou Harris episode and have been taken with the stories that country music musicians can put into their songs which pop music just doesn’t touch.
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[Countryphile] Week One: Honky Tonking
Friday January 11, 2008 @ 11:24 PM (UTC)This post was originally published on countryphile
Over the past week, I’ve had the pleasure of discovering that I prefer honky tonk to modern country. But i still don’t much about it.
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