Aleks Krotoski
The Guardian, Thursday 2 April 2009
There is a sea change in the games industry, and thank heavens to Betsy. It’s no secret that the output of the games industry has hit me like a damp squib in recent years: my favourite pick in 2007 was a low-key Japanese romance and last year it was a web data tracking tool. After almost a decade working through the vast ocean of games technology, my interactive Babylon was a karaoke game. To say I was disillusioned with the populist zombie and gangster thrillers that consumers and critics crowed over was an understatement.
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